Tag: emcees

O’hene Savant provides ‘A Form of Inner Escapism’ in new EP

O’hene Savant provides ‘A Form of Inner Escapism’ in new EP

AFOIE, or A Form of Inner Escapism, is that album that Philly-to-ATL emcee and musician O’hene Savant has been building to in the recent days and weeks. The EP, which follows his compilation mix album Savant Syndrome (released yesterday and also available on his Bandcamp page), has all new verses and production, nothing but those raw honest O. Savant lyrics over his firm, cool and soulful music. Sit back, relax with the sounds, and come out a better individual after listening.

O’hene has a case of ‘Savánt Syndrome’

O’hene has a case of ‘Savánt Syndrome’

Emcee-musician O’hene Savánt blesses us again with another dose of intellectual fire. It’s his new compilation, Savánt Syndrome, featuring freestyle rhymes and traditional beats, a familiar formula but all the better coming from a genius’s hand. What greets the ears is a mix of new verses and a few from the past but most are new and all were unreleased until now. O’hene samples the greats but composes originals as well, and instead of standard length songs, Savánt Syndrome mainly showcases segment-size tracks that achieve impact and influence with concision yet are dense with integrity and substance. All make for another brilliant ride courtesy of the great O’hene Savánt, in anticipation of more to come too…
SkyBlew drops second 2018 album ‘PTSD’ days after first

SkyBlew drops second 2018 album ‘PTSD’ days after first

Not one week after releasing his joint album with producers A June & J Beat (Dreams of Autumn Kismet), Mario Farrow, also known as the emcee SkyBlew, dropped his twenty-second, I repeat, twenty-second quality album of genuine wholesome rhyme verses over blissful music on June 17, 2018. Painting ‘Til She Dials (or PTSD) as it’s titled, came five days after Dreams but the breadth of the project reveals what must have taken weeks if not months or perhaps years of inspiration, hard work and care.

As one of SkyBlew’s official “solo” albums, production on it comes from a variety of music-makers including Sleeping Awake and Mag.Lo as well as his past collaborators SublimeCloud and Scottie Royal. Prepare your earbuds to transmit fine jazz, cool pop and comfy conscious messages straight to your brain’s pleasure centers and take a chill break from the heat this summer by Painting ‘Til She Dials.

K-Rino – ‘Mightier Than The Sword’ (Album Review)

K-Rino – ‘Mightier Than The Sword’ (Album Review)

Though he released three collaborations (Rapz ‘N’ Beatz with producer DLP, Funk Out The Bag with producer Abdul Mack, and Throughout Time with rapper Drastiko) since The Big Seven of 2016, K-Rino of South Park Coalition returns to solo album majesty with Mightier Than The Sword. True to form, K shares incredible wisdom in brilliant rhyme schemes all delivered flawlessly. Traditional beats and terrific song design and concepts bolster the load. Pure substance all throughout from an evolved emcee. With over thirty albums to his name, the majority of which are perfect or nearly perfect, K-Rino is still going very strong.

O’hene Savant – B/aQ Majik 1 & 2 (Album Review)

O’hene Savant – B/aQ Majik 1 & 2 (Album Review)

The musician and emcee who brought you classic albums such as Inner City Soul, Nina Simone By …, Os The Great & Powerful and Pisces returns with his fifteenth and sixteenth LPs, respectively named B/aQ Majik 1 and B/aQ Majik 2. O’hene Savant (Kawann Shockley) last released an album in 2016 with ALOC, or A Lack Of Convention, but this most recent output is proof of his hard work since that time. True to its title, B/aQ Majik is a reappraisal of black culture and there’s no devaluing it in O’hene’s mind, yet in addition to his love for Africa and the African diaspora, he’s got plenty more intelligence and compassion that know no ethnic boundaries, and he gives strength to all marginalized groups whether racial, economic or other. All of which is delivered via brilliant wordplay, stories, innovative production including jazz, funk, easy listening, Afro-beat and dance, plus fine guest performances from Teephlow, AJ Nelson, Che Che Da Lyricist, Honey B, E Snipe, Sheda B and Lo. Celebrate these two stellar issues from top five hip-hop artist of his time, O’hene Savant.

The Top 10 Hip-Hop Albums of 2017

The Top 10 Hip-Hop Albums of 2017

If you’re tired of the typical best hip-hop of the year list and want better than the usual mainstream mainstays, look no further than this rundown of the finest rap projects of 2017.

10. Catastrophic Event Specialists – Ces Cru (February 10 / Strange Music, Inc.)

Although Ces Cru rappers Godemis and Ubiquitous have perfected traditional quick-paced lyricism and delivered it in all their projects, each LP is unique, especially in the case of their sixth, Catastrophic Event Specialists. Stockpiled with fresh material, from commentary on the art of rap and corrupt politics to the common good and non-material valuables, the third CES album on Strange Music, Inc. is a series of thematic time bombs that the group set off and control, set off and then control again and again. After all, they’re catastrophic event specialists. And with fantastic camaraderie between all the Strange and non-Strange guests, it’s a rally for a worthy cause by heroes who wouldn’t harm a fly.

9. Hip Hop Hooray – Dan Bull (January 13 / self-released)

English rapper, gamer and internet comedian Dan Bull released his twelfth Generation Gaming album less than six months after Hip Hop Hooray (his fourth stand-alone LP) came out in January 2017, proof of the momentum he received from the triple H project. The light whimsical Bull continues his legacy by making fun of himself, by sorting out some social incongruences and by placing family- and home-health high on his list of values. True to his methods, Hip Hop Hooray comes straight out of Dan’s web-based cottage industry and serves up rich sweet layers of homemade beats and lyrics—a treat that’s instantly enjoyable and impossible to forget.

8. Olive Branch – Locksmith (March 31 / Landmark Entertainment)

Locksmith, from The Frontline, specializes in moral principles and character development and naturally, he is on no major label. His solo albums go back to 2014 but the Olive Branch LP sees him in his greatest form yet. In 2016, he dropped a huge hint of coming grandeur via The Lock Sessions mixtape, the preview to Olive Branch. Here, the upper echelon of flowing skills, messages and production treats listeners in a spirit of coming together in goodwill. Locked and loaded with immense rhyme power and heart, Locksmith serves as a standup role model and excellent example for rappers new and old.

7. Otis King: Return of the G – Otis Reed (August 18 / Palmtree Entertainment)

Fresno guardian angel Otis Reed in his fourth studio album, Otis King: Return of the G, is as powerful as he is playful, a shining speaker of real talk from the hood. A guidance counselor of sorts, Reed focuses on issues affecting families in downgraded communities, the degradation of the family unit and that of relationships of every kind. Outside of the home, Reed turns his attention to stereotypes and other common struggles. A wallop of material yes but the production is the spoonful of sugar to this medicine. Smooth soulful vibes get us through the hardest parts with ease. King Otis Reed returns as the best type of G imaginable.

6. Into The Further – Wrekonize (May 5 / Strange Music, Inc.)

As hip-hop enters the future, few in the mainstream are taking it to new artistic territory, especially since many “rappers” aren’t even emceeing anymore. Of the ones that still do, about half or less add genuine wisdom to their bars. Put Wrekonize (of Mayday! and Strange Music) in that last group. Into The Further, his third solo LP, works double duty at being both cool and enlightening. Wrekonize supports gratitude, love and consideration of others, and he axes extreme conformism and denial of the truth. Textured musicality and choruses give it great feeling and staying power. To absorb the album is to rediscover the beauty in people and to bring humanity back to the public.

5. Crooked – Propaganda (June 30 / Humble Beast Records)

Spiritual LAlien Propaganda (Jason Petty) transfers deep knowledge and intricate wordplay (including spoken word) onto his tracks. The Tunnel Rats member and fortitudinous solo artist released his fourth album last year but has maintained a smart hearty style since the beginning. With his mind on the pain and darkness of adversity, Propaganda encourages us to reject hate and hypocrisy, and for all the vocal shocks, a steady diversity of music balances the payload. Not only does Propaganda have technical skill but also compassion for the marginalized and suffering.

4. A Time And Place – Anoyd (April 25 / Pace Music Group LLC)

A bit new to releasing albums but no spring chick at his craft and hardworking as well, independent Connecticut emcee Anoyd (Dashorn Whitehead) has already released four studio albums in the last two years, all on Pace Music Group. A Time And Place is Anoyd’s finest to date. The talented, socially conscious wordsmith and melodic romantic in the man guarantee a blend of intelligent poetry and powerful love songs. Activist pronouncements flourish in the income gap study of “Cardboard Box” and in the mixed bag that is “Phony Habits.” A fine example of maturity, wisdom and love in the field, Anoyd motivates all creatives with like integrity.

3. Kairos, Pt. 1 – Kristoff Krane (July 11 / F I X)

The journey of Kristoff Krane (Christopher Keller) from Minneapolis has so far yielded six albums (five solo and one collaboration). They’ve all come either self-released or on indies. Unlike the name of his former label (Crushkill Recordings), the highly lyrical Krane is the opposite of a crushing killer in personality, maybe in ambition, but not in character. His newest album, the Graham O’Brien-produced Kairos Part 1, an experimental smorgasbord from two artists with a great conception of art rap, visits just about every dimension of human emotion and intelligence, with symbolism of animals, animal eyes and more. O’Brien’s electronically proactive beats twist and turn in parallel with Krane’s fluctuating vocals and vice versa. Kairos 1 neatly layers raw thought, leading to open interpretation and limitless imagination.

2. Lazarus – Sha Stimuli (September 25 / 10 Minutes Late Records LLC)

Not only is the Lazarus LP a comeback for Brooklyn emcee Sha Stimuli but it’s also an amazing one. The well-rounded lyricist is a tough cookie with a gentle soul. Though he criticizes the system, he also comments on the faults of those targeted by the system with searing condemnation of alcoholism, infidelity, domestic violence and fatherlessness. Elsewhere, he shows loads of appreciation for life. His wholesome influence proves rap can offer much more than kicks and giggles to the people.

1. Destined: The [R]Evolution – SkyBlew & SublimeCloud (June 25 / self-released)

You don’t get as far as someone like SkyBlew (Mario Farrow) without ambition and brimming positivity, and no matter what he has experienced—from collaborations and tours to features and awards—they have never been nor will they ever be the ultimate goal for him. He is intent on affecting progressive change in the world through music. In 2017, SkyBlew collaborated on two projects, first Dreams, Toonami and Jazzier Days with producer Pabzzz and then Destined: The [R]Evolution with producer SublimeCloud. For its cool lovely soundtrack and wonderful character, The [R]Evolution, which is the sequel to Destined: The Rebirth, stands atop last year’s best rap albums. SkyBlew is a brilliant beacon for the truest path in life, and his partner SublimeCloud is a masterful selector of folk rock, pop and smooth jazz. Get inspired by wisdom and soul from this North Carolina duo nonpareil.

Honorable Mentions:

Microphone Jackson – Rise Rashid

Watch What I Do – Sam Shoemaker

Fay Grim – Likwuid & 2 Hungry Bros

Dreams, Toonami & Jazzier Days – SkyBlew & Pabzzz

The Potential LP – C4 The Explosive

The World Is Mind – KRS-One

$cribble – Esham

Resolution – Mr. Lif & Akrobatik

The Golden Age 2 – Dizzy Wright

Darwin’s Frankenstein – Esh

Extra Credit – Mega Ran

The Deeper They Dig The Blacker The Planet Gets – Millenium Falcon

Writing HERstory – Jazzmyn Red

Welcome To My Dreams – Manuel

Hip-Hop* – MC Bravado

All-Amerikkkan Bada$$ – Joey Bada$$

Game Of Death – Gensu Dean & Wise Intelligent

Eminem takes a major hit with ‘Revival’

Eminem takes a major hit with ‘Revival’

If you were thinking you’d get anything different from Eminem in his ninth LP Revival, based off the pre-release singles, you better think again. Aside from the two useful political tunes, “Untouchable” and “Like Home,” the rest is an extended pummeling of hypocrisy in which Eminem attempts to make amends with loved ones he’s wronged but also spits, kicks and screams in vulgar, violent fashion as usual.

“Chloraseptic” causes the first major symptom of Interscope-slash-Eminem-made toxicity by way of gratuitous, inappropriate sexuality and the next comes in the raunchiness of “Remind Me.” The macabre Eminem comes back full force in “Framed,” in the form of a guilty man making a weak plea of innocence on wax. The next three songs continue to unabatedly supply bitter spitting at misperceived enemies (“Nowhere Fast”), objectification of women (“Heat”) and then extreme misogyny (“Offended”). Right before he tries to explain himself in the last two tracks, Eminem admits in such a way that he is literally out of his mind via “In Your Head.”

When all is said and done, all the big name singers, Eminem’s famous wordplay virtuosity and even Rick Rubin’s classic pop-rock resurrections (if you’re into his slightly cheesy style of it) together can’t make up for Eminem’s awful rap persona ruining the vast majority of the project. Once again, his sharp rhyme mechanics have been employed to twist and confuse the minds of listeners. If Eminem continues his relationship with Interscope Records (subsidiary of Universal Music Group, subsidiary of Vivendi SA) or another major label and especially if he continues to pump out filth, his credibility as an integral artist is hereby gone. (1 out of 5 stars)